The Right Impression
From painting outdoors on location to merely suggesting detail, there's much you can learn from the Impressionists. Get started with these 10 lessons.
By Greg Albert

Shaping a Landscape
Frank Satogata's acrylic paintings are all about contrast, color and shape. See how he balances it all for truly expressive works.
By Sandra Carpenter

A New Way of Seeing
Just as buildings have their structures, so do flowers. Find out what else architecture and fine art have in common.
By Laurin McCracken with Jennifer Ball

Capturing Memories
Make the most of your next painting trip by putting away your camera and taking out your sketchbook.
By Roland Lee

Competition Spotlight
2004 Art Competition finalist Malcolm Christhilf.

Making the Leap
Change is good. Seven colored-pencil artists discuss how it guided their artistic journeys.
By Sandra Carpenter

Special Section: Workshops 101
A workshop is the place to immerse yourself in all things art. These tips will help you find the perfect one for you.
By Betsy Dillard Stroud

Columns

Brushing Up
Eight ways to treat your brushes right.
By Zora Sweet Pinney

Color Corner
Your guide to understanding the color blue and choosing the right variety for your art.
By Birgit O'Connor

Art Clinic
Capture the spirit of your subject by observing carefully and then relaxing as you paint.
By Marilyn Hughey Phillis

Business
A veteran artist-on-the-move shares her best advice for moving your studio without losing your mind.
By Beverly Leesman

Master Class
How Eugène Boudin connected to his landcapes for more personal paintings.
By Martha Newfield

Departments

• Dialogue
• The Artist's Life: The double life of The Sopranos' hit man; the palette of the Pre-Raphaelite Brotherhood; and a book to take you away.
• Technical Q&A: The lowdown on recycling supports, the durability of wax medium, and how to stretch canvas over hardboard.
• Art News
• Materials Handbook: The origins of the Guerrilla Painter pochade; a new line of turquoise pastels; the ultimate paper stretcher; and more.